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Rme babyface driver full#
Rme babyface driver pro#
Rme babyface driver software#

54 Level Meter Peak/RMS, hardware-calculated.

TotalMix: 648-channel mixer with 42-bit internal resolution.

Enhanced stand-alone operation with rotary encoder and front panel display.

Stead圜lock for maximum jitter suppression and clock refresh.

Two balanced universal inputs for line and instrument signals.

Two digitally controlled Mic Preamps in high-end quality.

Sample rates up to 192 kHz on all I/Os (including 2 ADAT channels with SMUX4).

Word Clock & MIDIĪ Word Clock input and output plus two MIDI I/Os (special breakout cable included) complete the list of features and turn the Fireface UC into an entire audio system of the highest quality. SPDIF can also be accessed through the optical I/O. The coaxial SPDIF I/O (up to 192 kHz) is fully AES/EBU compatible. In combination with an ADI-8 DS/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 96 kHz). One ADAT I/O provides digital connection to mixers and converters. The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain).

Inputs 3 and 4 are flexible universal balanced inputs. All level settings are 100% reproducible and can also be comfortably adjusted by software. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. These can also be used as additional line inputs. The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. The hi-power phones output offers high volumes even with low-impedance headphones. The same applies to the balanced rear analog outputs 1 to 6.

Rme babyface driver full#

Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale.

Rme babyface driver software#

Analog I/OĮight analog inputs and outputs (all balanced, except outputs 7/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo/HiGain), realized discretely in the analog domain, ensure highest dynamic range and fidelity. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load. TotalMix can be completely MIDI remote controlled. Every output channel, and every submix channel can be recorded directly and without external cable loops.

Up to 9 totally independent stereo submixes can be set up. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz.Īll inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix FX software. The Fireface UC features all of the proven RME analog and digital circuitry.

Rme babyface driver pro#

The new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true.